![]() When I ask Wenders which of Bausch’s pieces use music best, he responds in desperation (“Where would I begin?”) but settles on a favourite. When Wenders made his 3D documentary Pina, there was even a release for its spectacular soundtrack which includes everything from the Sephardic folksong La Prima Vez, sung by Owain Phyfe, to the jazzy rump-shaker Fat Ass Joint by Brazilian producer Amon Tobin. The featured artists include Brian Eno, Ryuichi Sakamoto and Gustavo Santaolalla. Take Sweet Mambo, one of the highlights at this year’s Edinburgh international festival. Her company of dancers hail from around the world – Australian Julie Shanahan, Russian Andrey Berezin, Daphnis Kokkinos from Greece, to choose just three – and her soundtracks have a similarly international mix. ![]() ![]() Such is the power of the eclectic tracks used in the performances of her company, Tanztheater Wuppertal, it is the music as well as the moves that stays with you.
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